Here's another egg memory, served with a slice of hostel-life as I lived it.
For two years (1989-1991) I lived in the Lady Brabourne College Hostel with a group of hip, hot (that's what we thought we were) and hungry (that's what others thought we were) friends. The meagre portions of indifferently-cooked hostel food barely sufficed. But we were allowed to supplement it with, among other things, eggs which we would have to buy ourselves and hand over to the kitchen staff to boil.
Now, eggs came at a fixed price (this was way before organic/free-range eggs made their debut) but in different sizes (depending, I presume, on the size and stamina of the hen concerned). The kitchen staff took all the eggs, boiled them in one huge saucepan, and left them on a large tray for us to collect. If we were lucky enough to get a large egg, we were loath to let other people eat our bounty simply because they had come down before us while we were stuck with a tiny, pebble-sized egg. The early bird would get the worm (or, in this case, the largest egg).
So, we devised a fool-proof system for establishing our ownership of any egg rightfully belonging to us. We would write our names on the shells with a ball-point pen (gel or ink pens would wash away), and then pick up our exclusive, personalised eggs, smoking hot and delicious, from the delivery-tray.
Some of us (including myself) would merely scrawl our names carefully - a utilitarian assertion of abdominal property rights.
Some creative souls would decorate their eggs with elaborate borders and patterns, taking a leaf out of the tradition of Easter eggs. These designer-eggs would be doomed, like sand sculptures which wash away in the tide, to crumble away in a bite.
A few athletic-types would crack the delicate shell while forcing their imprint on it. A similar fate could befall those who autographed their eggs with a careless flourish. (They could use the raw egg for a face/hair pack, I guess).
Whatever their size or sign, these marked-eggs were all destined, like Humpty Dumpty, to 'have a great fall' and end up in the pit (of our stomachs).
DO YOU HAVE AN EGG-CITING RITUAL TO SHARE WITH US?
Showing posts with label pens. Show all posts
Showing posts with label pens. Show all posts
Thursday, January 29, 2009
Tuesday, July 1, 2008
PEN-SIVE
The recent Vodafone ad featuring two schoolchildren with fountain pens is definitely anachronistic, since today’s children have never seen, let alone used, a fountain pen. But it brings a nostalgic smile to us thirty-somethings, because the fountain pen was such an important part of our growing-up years.
It marked a rite of passage. You passed out of Standard 4 (nearing the end of primary school) and you were handed a fountain pen to write with. No more pencils. No more sharpeners. No more erasers, and the dirty mark they would invariably leave despite ruthless scrubbing! (Now don’t be a spoilsport and remind me that we still needed pencils for science diagrams and maths graphs). We could all be grown-up and proudly clip our pens to our pockets.
I remember having two Artex fountain pens, one green and one maroon (I was an ardent fan of Mohunbagan – the football team in maroon and green). Every week, I would take a dropper and carefully fill them with royal blue ink from Camlin or Chelpark bottles. I can still smell the faint mouri/saunf/aniseed smell which seemed to emanate from Chelpark ink-bottles. ‘Carefully’ – is the operative word (though not always the ‘operational’ word), because we had to be wary of spills and smudges, while filling and while writing. It was this very carefulness which was supposed to have an improving effect on our haywire-handwriting, unlike the more modern, use-and-throw ball-point pens, which spoilt our cursive abilities (or so the fountains of wisdom said).
Being magpie-minded, I preferred gleaming-golden nibs to the staid-steel of my Artex pens. I had a maroon (the pre-neon gel pen manufacturers were rather colour-challenged, weren’t they?) Wilson pen, with a shiny golden cap and a shinier golden nib, ‘made in China’ (when that label still meant exclusivity). It had an in-built ink-filler, so I could just dip the nib and fill it, without any spilling. The precious-pen was gifted to me by a very dear friend and was used only on special occasions and only with extra-special black ink.
One of these special occasions was my tenth standard board exams. After that, in my higher secondary years in college, I switched to ball-point pens with indelible inks (we were pressed for time, and scared that ‘our answers might wash away if it rained and if we wrote with fountain pens, if the examiners left the answersripts out in the open’ – weird logic, but exams were a superstitious time!).
And so ended my association with fountain pens.
DO YOU HAVE ANY PEN-FUL MEMORIES?
It marked a rite of passage. You passed out of Standard 4 (nearing the end of primary school) and you were handed a fountain pen to write with. No more pencils. No more sharpeners. No more erasers, and the dirty mark they would invariably leave despite ruthless scrubbing! (Now don’t be a spoilsport and remind me that we still needed pencils for science diagrams and maths graphs). We could all be grown-up and proudly clip our pens to our pockets.
I remember having two Artex fountain pens, one green and one maroon (I was an ardent fan of Mohunbagan – the football team in maroon and green). Every week, I would take a dropper and carefully fill them with royal blue ink from Camlin or Chelpark bottles. I can still smell the faint mouri/saunf/aniseed smell which seemed to emanate from Chelpark ink-bottles. ‘Carefully’ – is the operative word (though not always the ‘operational’ word), because we had to be wary of spills and smudges, while filling and while writing. It was this very carefulness which was supposed to have an improving effect on our haywire-handwriting, unlike the more modern, use-and-throw ball-point pens, which spoilt our cursive abilities (or so the fountains of wisdom said).
Being magpie-minded, I preferred gleaming-golden nibs to the staid-steel of my Artex pens. I had a maroon (the pre-neon gel pen manufacturers were rather colour-challenged, weren’t they?) Wilson pen, with a shiny golden cap and a shinier golden nib, ‘made in China’ (when that label still meant exclusivity). It had an in-built ink-filler, so I could just dip the nib and fill it, without any spilling. The precious-pen was gifted to me by a very dear friend and was used only on special occasions and only with extra-special black ink.
One of these special occasions was my tenth standard board exams. After that, in my higher secondary years in college, I switched to ball-point pens with indelible inks (we were pressed for time, and scared that ‘our answers might wash away if it rained and if we wrote with fountain pens, if the examiners left the answersripts out in the open’ – weird logic, but exams were a superstitious time!).
And so ended my association with fountain pens.
DO YOU HAVE ANY PEN-FUL MEMORIES?
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